Explorando as imagens videojográficas: os contágios tecnoculturais dos filtros jogáveis da plataforma TikTok

Abstract

This research aims to theorize and comprehend the emerging contagions of play on TikTok, providing insights into the authentication of techniques and perceptions of videogamegraphics images (Bittencourt, 2018) in playable filters. Beginning with an analysis of the dimensions of audiovisual proposed by Kilpp (2010), the study seeks to establish a solid foundation for the development of investigation, authenticating the audiovisual aspects of the object. The research utilizes Bittencourt's method of videogamegraphics images (2018) to dissect playable filters (the object of study) into their machinic, audiovisual, and ludic layers, exploring the temporal and technical contagions present in playable filters. Through media archaeology, the aim is to reconstruct and understand the techno-cultural traces, tracing the development of image techniques to playable filters and identifying relevant turning points. For data collection and analysis, a cartographic approach is adopted, combined with archaeological action (Fischer, 2015), allowing for the registration and authentication of the layers of contagion present in images produced by TikTok. Finally, Kilpp's framework methodology (2010) is employed to analyze and describe the different layers and framing of elements present in the images, considering their technical, aesthetic, cultural, and communicative specificities. Through these directed constructs, the research seeks to address the question and established objectives, contributing to a broader understanding of the contagions of play on TikTok and their implications for the culture of computational software and the production of videogamegraphics images.