O acontecimento do “feminejo”: uma análise do gênero musical através de Marília Mendonça

Abstract

The objective of this work is to analyze the evolution of the musical genre sertanejo into the feminejo using qualitative research. First, we investigate what a musical genre is and explore the narrative of feminejo through different songs by the composer Marilia Mendonça. Therefore, we conduct a contextual review of the history of the sertanejo musical genre since its origins. In this work, we seek to understand the feminist movement to have a foundation in the narrative of creation for this new musical genre, feminejo, and explore the creation of feminejo using the identities of hybrid culture as a base. To achieve the proposed objectives, we use a combination of different methodologies, authors, and researchers. We highlight two primary authors that we use to understand musical genre and identity, Néstor García Canclini and Jesús Martín-Barbero. The different methodologies are procedures for collecting, analyzing, and combining qualitative techniques, such as analyzing some compositions by singer Marília Mendonça to identify scenes of the feminejo.